Blind Willies: Gospel revised by pimps, poets
Late Show at Amnesia Musica Hall 853 Valencia Street – 9 pm to Close $7-$10 Cover
Featuring The Jean Genies: David Bowie Tribute, Blind Willies, Whisky Pills
Late Show at Amnesia Musica Hall 853 Valencia Street – 9 pm to Close $7-$10 Cover
Featuring The Jean Genies: David Bowie Tribute, Blind Willies, Whisky Pills

Accordion-

Since at the Bayview location, The Accordion Apocalypse Repair Shop has expanded to include a large showroom with both new and used accordions and accessories, an online store, museum cases with beautiful antiques, a well organized repair center, group workshops and rentals for beginners, racks of books and sheet music to peruse. Specialties include antique re-builds, and small sized piano accordions.
For the past 3 years Skyler has been studiously apprenticing with Vince Cirelli. Here is some interesting information about this talented, amazing, and warm hearted accordion hero.
Skyler’s Mentor Vincent J. Cirelli of Cirelli Accordion Service-
Master craftsman Vincent Joseph Cirelli began to develop his skills early while growing up in the North Beach District of San Francisco. In 1920, the year of his birth, North Beach was considered the hub of the accordion culture and San Francisco was the center of a flourishing accordion manufacturing industry. Vince remembers the accordion factory of Guerrini & Company located within walking distance from the house where he lived as a young boy.
His informal introduction to the instrument began at the early age of ten. He recalls the sound of an accordion emanating from an open window while playing outside one day. “I liked the melodic sounds that I heard coming from the accordion”. Shortly thereafter, he began accordion lessons with Emilio Civita, a graduate from the Conservatory of Music in Milano, Italy.
By age 12, his growing enthusiasm for music and dedication to the instrument caught the interest of Faust Piatanesi of Colombo & Sons. Vince was offered a part-time job after school, and with his father’s permission began working as a shop helper at Colombo & Sons Accordion Corporation. This event would eventually direct young Vincent’s future to the accordion making industry.
During his attendance at Galileo high school in San Francisco, Vince continued to develop and refine the skills crucial in becoming an accordion maker. Attending both day and evening classes at Galileo’s woodworking and cabinet shop, he utilized every available resource for making accordion parts. Upon graduating in 1939, Vince once again returned to Colombo & Sons. This time however, working alongside master craftsman Mario Zanoni, Angelo Pietri, Chuck Zanoni, and master tuner Eric Gylling.
Returning home after serving four years in the U. S. Coast Guard, Vince established Cirelli Accordion Service in 1946. Initially, he began making accordion parts including bass and treble shells for Pacific Accordion. Later that year, Caesar Pezzolo, the well-known composer and teacher, appointed Cirelli Accordion Service to upgrade his imported accordion line specifically for the American market. The design revisions incorporated by Vince greatly improved the instrument and these changes were communicated to the factory in Italy. The accordion, La Melodiosa, was a success and considered by many artists, one of the finest accordions produced at that time. Vince also managed to complete the first of seven Cirelli accordions later that year. Deciding to “road test” his new instrument, he signed with the popular train tours of that time to entertain onboard while traveling across America.
Married in 1949, Vince moved his expanding business to another location in San Francisco. He focused primarily on repairing, tuning, and teaching the accordion. Contracted through West Coast Wholesale Music, H. C. Kessler, and Pacific Music Supply Co., Vince inspected and serviced virtually every new Frontalini, V. Soprani, and Galanti accordion received by these companies. If you have ever played or currently own one of these instruments from the bay area, chances are that the master craftsman himself subjected it to a thorough going-over.
In 1963, world-renowned recording artist, Michael Corino introduced Vince to Lee Deiro, owner of Pietro Derio Publications of New York. After several discussions, Cirelli Accordion Service became the exclusive West Coast distributor for Pietro Deiro Publications, one of the world’s largest accordion music publishing houses. That same year Mario and Edward Pancotti, of the Excelsior Accordion Company, established a full service bay area dealership through Cirelli Accordion Service. Vince sold and serviced the Excelsior accordion line to many fine musicians and recording artist for more than twenty-seven years.
Today, nearly sixty years later, this great-grandfather amazingly is still very dedicated to his enduring career with the accordion. He continues to provide the same high standard of specialized service including restorations of unique historical instruments. Vincent J. Cirelli is truly a master craftsman and many people throughout the entire accordion industry recognize him.
“I am eternally grateful to the San Francisco pioneers of the accordion manufacturing industry. Without their generosity and support I would not have been able to learn this fascinating trade. My life has truly been enriched by the many talented artist and kind friends that play this remarkable instrument.” – Vincent J. Cirelli
Bill Cramer and The Shared Land
Early Show at Amnesia Musica Hall 853 Valencia Street – 5-8:30 pm, $7-$10 Cover
Doors at 7:45
8 pm – 9:40 pm
Doors at 10 pm
10 pm – 11:45 pm
$15 – $30 Sliding Patron Scale
Mark Growden is a singer, writer, multi-instrumentalist, composer, record producer, visual artist, and the artistic director of the Marigny Opera House in New Orleans, LA. Growden has released several critically acclaimed albums, including Saint Judas, which was awarded “2010 Rekkid of the Year” by music blog Stash Dauber and ranked in the 2010 Village Voice Critics Poll. Growden has toured the the US extensively, performing at venues such as the The Fillmore, Cowell Theater, and Great American Music Hall in San Francisco; Snug Harbor in New Orleans; and The Knitting Factory and Tonic in New York. Mark has composed original musical scores for a number of Dance and Theater companies, including Joe Goode Performance Group and Alonzo King’s Lines Contemporary Ballet, with whom he and his collaborators won the Isadora Duncan Award for Best Original Score for a New Dance Piece. He has scored several films, including Blood Tea and Red String, which won Best Animation at both the San Francisco Independent Film Festival and the Fantasia Film Festival in Montreal.
Paul McNees (aka The Mockingbirds) is a musician, teacher, writer, and is pursuing a Phd exploring the deep roots of human music making from the level of metaphysics and philosophy. The MockinSendgbirds is a labor of love that gives expression to Paul’s dedication to music and his love of the alchemy of collaborative participation.
Paul has been involved in the Bay Area music scene since the early 90′s. As a songwriter and multi-instrumentalist, he has added his talents to several bands and projects over the years: Bass Line Dada, Hoarhound (with Ari Fellows Mannion of Loretta Lynch), The Handshakes, Ramona the Pest, and Conception Vessel One. His first cd “Songs and Other Delusions” was performed almost completely solo. This time out, Paul is proud to be collaborating with an old friend and colleague – Mark Growden. The new Mockingbirds album “Lacuna” was inspired as a tribute to Paul’s father whom he lost in May of 2011. His songs have lost their sardonic edge and move toward the tender and transcendent. Paul will be joined by a cast of brilliant musicians: Lisa Mezzacappa – stand up bass, Alex Kelly – cello, Dan Cantrell – accordion, , Clay Koweek - guitar and mandolin, and Mark Growden – baritone sax, banjo, and vocals. The album will be recorded during the second week of January and released in the early spring.

Accordion Babes Revue
Early Show at Amnesia Musica Hall 853 Valencia Street – 5-8:30 pm
Sunday Jan 8th, 5 to 8:30 pm
$10
Big Lou the Accordion Princess’ French Trio
& your Hostess with the Mostess: Skyler Fell
The Big Squeeze
at Amnesia Musica Hall 853 Valencia Street – 9-Close
Juliet Strong, will be opening up the show and joined by Diana Strong, accordion and Sean Tergis, Cahon A special trio set of soulful originals, and cheeky folk tunes.
With a buttery voice and a simultaneously melancholy yet uplifting sound, San Francisco Bay Area singer/songwriter, Juliet Strong, touches audiences with her depth of sound and lilting lyrics. Juliet’s background in Folk, Classical and Jazz shines through with her rich tone and vocal versatility. Combined with energetic, rhythm piano, an eclectic band and a touching vulnerability, audiences take a smooth velvety ride through Juliet’s world of speculations about life, and the nature of things.
www.julietstrong.com
www.dianastrong.webs.com
Eggplant Casino with special guest Allison Lovejoy
and More!
Music by DJ Squeezie – aka Momos Cheeskos
9 pm to Close
$10

Late Show at Amnesia Musica Hall 853 Valencia Street – 9 pm to Close $7-$10 Cover
Featuring The Jean Genies: David Bowie Tribute, Blind Willies, Whisky Pills
Early Show at Amnesia Musica Hall 853 Valencia Street – 5-8:30 pm – $7-10 Cover
It is often said that art and commerce don’t mix, but that’s just one of the many myths that Contemporary Jazz Guitarist, Gregory James has broken down during his musical odyssey. Gregory has recorded ten albums and been invited to perform alongside such musicians as McCoy Tyner, Sergio Mendes, Ray Charles, Max Roach, Mark Isham, and Steve Smith’s Vital Information. Gregory James’ music celebrates, and sonically connects, the two cities that have most shaped him, and in the words of Downbeat magazine, “Bridges the gap between musical adventure and mass appeal.”
Born in San Francisco, James began studying guitar with David LeRoy Smith at the age of 11, and by 15 he was jamming in some of The City’s finest after-hours joints with the likes of Amandio Cabral, Eddie Duran, and Vince Guaraldi. While studying with the great Brazilian guitarist, Bola Sete, Gregory James was listening to The Beatles, Jimi Hendrix, Charles Lloyd and Kenny Burrell, and beginning to experiment with fusion.
In the 1970s he left San Francisco to dive into the New York jazz scene, and was soon on the bandstand with such players as Bobby Scott and Chico Hamilton. He was signed to New York’s Inner City Records label, and released the debut of the Gregory James Quartet, Alicia, in 1978, featuring bassist Andre St. James, drummer Randy Merritt, saxman Barry Shulman, and percussionist Baba Daru. After two years of touring and playing the New York scene he resettled in San Francisco and joined saxman Shulman in the punk-jazz quartet Video Rouge.
In 1982 James returned to instrumental music, forming the Rogue Records label. He recorded two jazz-rock albums with his electric quartet, Madagascar andALPHABET TOWN, and a duet album, TIBET, with Shulman. James’ genre-bending creativity won praise on the pages of Guitar Player.
To satisfy his growing interest in world musics, James began studying flamenco guitar with Jason McGuire, and put away his electric axe for an acclaimed duet with bassist Kai Eckhardt, THE SEARCH . The album ANANDA followed, a world jazz mélange that blends nylon-stringed, electric and MIDI guitars with the beautiful brass and woodwind tones of Ron Miles and Paul McCandless (Oregon), backed by a rhythm section of Marc and Paul Van Wageningen and Peter Michael Escovedo. James then brought in Yellowjackets saxophonist Mark Russo to collaborate on the radio-friendly album, TRAVELER.
By 2001’s REINCARNATION album, James was playing some saz, incorporating violinist Jenny Scheinman, turntablist DJ Fly, the spoken word of Craig Easley and Catie Murphy and talking drum of Rasaki Aladokun atop an already rich musical landscape. COME TO ME, produced by Benny Reitveld (Miles Davis, Santana) in 2003, is perhaps the most complete realization of James’ flamenco-jazz stylings with elements from hip-hop, classical, funk, rock and world beat and a guest list including Karl Perrazo and Raul Rekow of Santana, keyboardist Peter Horvath, Rita Thies, Alex Murzyn and Baron Shul on woodwinds, and DJ Fly, among the crew.
Gregory James’ most recent album, SAMSARA, is a momentary return to gentler times. It’s a quartet date featuring bassist Jonathan Herrera, drummer Deszon Claiborne, and longtime saxman Baron Shul, highlighted by a delightful take on The Beatles’ “And I Love Her.”
Besides performing with his San Francisco-based quartet, Gregory James recently began recording with producer Cookie Marenco on The Valence Project, along with a growing cast of musical characters that includes drummer/programmer Brain (Primus, Tom Waits), bassists Jon Herrera and Kai Eckhardt, and vocalists Melissa Reese and Deborah Charles. Fans of Bill Laswell’s Material will be excited by these exotic and emphatic sounds. As always with Gregory James – stay tuned!
Eddie Cohn – Indie Acoustic
FAT OPIE – American folk-Rock
Gregory James Band – Contemporary Jazz Fusion
Amnesia Music Hall
Saturday, January 28th
Songbird Presents
Late Show at Amnesia Musica Hall
853 Valencia Street
Doors at 9 pm
Show starts at 9:30 pm
$7-$10 Cover
Wicked Mercies are a soul band from San Francisco. The line-up features vocals that embody the classic sound of all great female – fronted soul acts through out time. The band is made up of players with roots in soul, R&B, funk and punk. The band takes a stripped down, un-pretentious approach to the music, grabbing a hold of the grooves and driving them into the sound. Wicked Mercies have received local and international airplay including critical acclaim from the Craig Charles Funk and Soul …
“Who could have predicted the early reggae and rocksteady music revival that took hold in California over the last two years? Not that we’re complaining: Bands regularly take the stage to perform vintage Jamaican sounds from an era when the island’s music incorporated American R&B, funk, and psychedelic pop, and used Hammond organs for its unique shuffle rhythms. Former Oranger member Bob Reed leads Titan Ups, a seven-member outfit that plays both originals and covers of songs from Jamaican acts like the Maytals, the Pioneers, and the Techniques. Franco Nero and Wicked Mercies offer vintage Jamaican ska and retro-fueled Stax-era funk, respectively, yanking audience members out of their seats whenever they play live.” – SF Weekly
Kevin Carnes is a drummer, percussionist, composer, and producer with a musical palette that began with punk rock, journeyed through avante jazz and ventured into hip-hop, classical, popular styles, and African rhythms. His signature aesthetic blends elements of his broad range of influence with the sounds of life in the city into an impressionist symphony of groove, noise, pop and jazz.
Carnes has been working in the Bay Area for nearly 25 years, and is widely considered a top call drummer. He continues to expand his acoustic/electronic percussion orchestra of samples, beats and compositions, as well as honing his skills as an engineer, producer, and media artist. Carnes has performed and recorded with George Clinton and the P-Funk Allstars, Bernie Worrell and the Woo Warriors, Lady Miss Kier of Dee Lite, Dr. Fink (Prince), Jerry Harrison (Talking Heads), Shaunna Hall of 4 Non Blondes, and Radioactive of Spearhead fame.
Carnes is a founding member of San Francisco jazz roots trio Broun Fellinis, and The Beatnigs, a political punk noise band featuring Michael Franti of Spearhead.
Other projects include City Circus (a bay area circus arts organization) of which Carnes is musical director and co-writer with Brandi Brandes, UAF, Black Quarterback, Katdelic, PC Munoz and the Left Hook.
The Nice Guy Trio is Darren Johnston on trumpet, Rob Reich on accordion, and Daniel Fabricant on bass. Their sound is a unique mix of roots and innovation, of soulfulness and humor. In concert they focus on their own original compositions, occasionally adding songs by jazz greats, by their favorite local composers, or pieces from various folk traditions.
Founded in 2007, the “Nice Guys” have performed in venues big and small, from local organic gems like Jazz at Chez Hanny and the Café Royale, to classic institutions such as The Monterey Jazz Festival, The Great American Music Hall, Yoshi’s, the Yerba-Buena Garden Festival, and for SF Jazz’s “Summerfest,”
During their first year, the Red Poppy Art House hosted the Nice Guy Trio for a five-month-long residency called the “Root Exchange.” Each month a different collaborative concert was programmed, featuring special guest artists from radically different musical backgrounds, and a constant stream of new compositions by members of the trio and by its’ guests. Guests included Sameer Gupta on tabla, Ben Goldberg on clarinet and contra-alto clarinet, John Schott on electric guitar, singer-songwriter Meklit Hadero, David Phillips on pedal steel, Smith Dobson V on both drums and vibraphone, Dina Macabee on violin and Alex Kelley on cello. The series was concluded with a very successful concert presented by Intersection for the Arts at the De Young Museum. Almost all of the guest artists from the series were able to attend, and together they played as one large ensemble as well as in various smaller combinations. The following week the Nice Guy Trio concluded their first season by being awarded the SF Weekly award for “best jazz/blues band,” before taking a hiatus to record their first CD and travel with various other projects.
Year two found the Nice Guys continuing the “Root Exchange” series, thanks to a generous grant from the San Francisco Friends of Chamber Music. Season Two included singer/songwriter Katy Stephans, piano visionary Myra Melford, saxophonists Kasey Knudsen and Evan Francis, Brass Menazeri founder Peter Jaques, and percussionists Dave Mihaley, on marimba and drum-set, Faisal Zedan on derbakki and riqq, and Michele Simons on tupan. The season was concluded at the De Young Museum, and featured a commissioned piece with all the instrumentalists involved, inspired by a work in the museum’s permanent exhibit. Two weeks later, the Nice Guy Trio celebrated the release of their new CD on Porto Franco records at Yoshi’s jazz club in San Francisco.
Most recently the Nice Guy Trio completed two commissions from the Yerba Buena Garden Festival, both of which are multi-movement song cycles for the trio with string quartet - Rob Reich’s “Sidewalks and Alleys,” and Darren Johnston’s “Waking Music.” The string quartet features Mads Tolling and Anthony Blea on violins, Dina Macabee on viola, and Mark Summers on cello.
Café DuNord
2170 Market Street
Doors at 7:30 pm Show at 8 pm
$15