Local Spice – Mosquitas in yo Grill!

Thursday, September 9th
The Rickshaw Stop $10
155 Fell St.
San Francisco, CA

Seaweed Sway and Ginger Murray present a night of four acts that are taking old style Americana and bringing it right into the 21st century. Mosquitas in Yo’ Grill is a celebration of all that is bluegrass, fiddle funk, Fab folk, and rock rippin’. Like fireflies in a jar, empty dusty roads, rusted fenders, late nights on a porch where the willows weep and the hot air smells of honeysuckle and gasoline. This show will rock your w…orld.

BUY YOUR TIX NOW & get FREE SONGS FROM EACH ARTIST: http://www.ticketfly.com/purchase/event/13851
(Check the confirmation message once you purchase your tickets, for the link.)

Buxter Hoot’n~ Psychadelic Americana blues, this band defies all genres. Hot, high energy and full of soul, they will grab your guts by the throat, wrangle em’ down and while doing it put a grin on your face wider than any desert sky. Their style is unique but never ironic and consummate musicians are they all. It is a joy just to watch them get down as it is sheer love of music that drives them.

Buxter Hoot’n's homegrown sound had its start in America’s heartland, in Indiana, where brothers, Vince and Jimmy Dewald grew up and played music before moving to San Francisco. Songwriter, Vince Dewald, has since put together an ever-growing catalogue of songs that is both lyrically poignant and stylistically diverse.

From virtuosic violin and guitar riffs to guttural lyrical poetry in the tradition of Bob Dylan and Townes Van Zandt, Buxter Hoot’n sets itself apart by combining rock ‘n roll musical complexity and intricate harmonies with traditional backporch roots and soul. Living and working together since the creation of the band they have created a cohesive and familial sound you can hear in the music and see on the stage.

Ben Andrews, lead guitarist and violinist, is one of the best young multi-instrumentalists in rock music and performs with that rare, fiery brilliance that can take over an audience in a moment. Drummer, Jeremy Shanok adds rhythmic sophistication and improvisation that often brings the band interplay to ecstatic heights. Vocalist, Melissa Merrill, is a star in her own right. Her blues soaked country vocals are instantly recognizable and uniquely her own. Vince Dewald’s provocative vocals and guitar work, along with Jimmy Dewald’s explorative bass style, perfectly completes the soulful, musical-stew that is Buxter Hoot’n.

Their first album, Here in America, released in 2007 was hailed by RELIX MAGAZINE as having “the independent rawness and creative brilliance that leads to a cult classic.” Their new album, In Another Life, is a complete next step for the band. Recorded on the same 2-inch tape machine owned and used by The Grateful Dead to record their classic 1987 album, In the Dark, In Another Life, “is heavy with stellar musicianship and delivers a potent message… Buxter Hoot’n is single-handedly redefining contemporary Americana music and is the voice of their generation.” (Ammuse WordPress, NY)

http://www.myspace.com/buxterhootn#ixzz0v7qiIBMc

http://www.buxterhootn.com/

Buxter Hoot’n~ Once a member of the amazing and fantastic Whoreshoes, Emily Bonn has high stepped out with her new version of the good old times where violins sing loud and cowboy boots smack hard. The Vivants perform original foot stompin’ tunes about riots, hollers and hopping train cars. Largely inspired by the energy of old-time dance tunes, honky-tonk country and western swing, The Vivants play their own brand of American roots music, shining up dusty melodies with modern arrangements.

In former incarnations, Emily perfomed in San Francisco subway stations, Belgian prisons, Appalachian corner stores, and at the Hardly Strictly Bluegrass Festival. As a former member of the critically acclaimed country band The Whoreshoes, she shared stages with the legendary rockabilly singer, Wanda Jackson, Old Crow Medicine Show and Devil Makes Three.

She is often accompanied by The Vivants, featuring stellar players, Anna Levitt on fiddle and vocal harmonies, James Touzel on upright bass, and Isaac Bonnell on piano accordion.
Emily’s new debut CD, Songs from Alabama Street, features 7 new original tunes. Many talented SF Bay Area based musicians contributed to the recording such as members of The Whoreshoes, The Brother Comatose, Culhann’s Hounds, The Lariats, Cheetahs on the Moon, and Middle Maki.

http://www.myspace.com/emilybonnmusic#ixzz0v7qBy5Yw

Brown Chicken Brown Cow String Band ~ Hailing from West Virginia, these on tour cats have that true sound many try to copy, but they take that old string, raw wood beat and give an authenticity not seen in a long time. They kick ass but they’ll give you a kiss and maybe a piece of pie afterwards. That is if if you wouldn’t rather have a good mud wrassle in the backyard and eat fried chicken in a tree. “Our Music is writen to create a relationship with the listener, in the end relationships are the core of our musical inspiration… relationships with people, music, and places.” Indeed.

http://www.myspace.com/brownchickenbrowncowstringband#ixzz0v7rMtZEk

Kamp Camille ~ They describe themselves as “guy/girl duo bliss.” And they are. Songwriters Nathan Hughes and Chantelle Tibbs met while Nathan was performing in San Francisco. Off stage Chantelle complimented Nathan on how wiggly his knees are and the creme of collaborations was born. Two voices that were meant to be together under any circumstances. They are Americana Folk full of tall terrible tales, ambient passion, emotive smoke filled mirrors, rainwashed train windows and just a touch of moth flutter. For a little romp through the lives of cops, whores, one armed men, petrified poets and wayward woman listen deeply to their words beneath music that swells, plucks and will ultimately leave you hazy, summer day dreaming.
Nathan Hughes…co lead vocals, guitar, harmonica
Chantelle Tibbs…co lead vocals, various instruments
Kenan O’Brien…Upright Bass
Hoan Ton-That…Lead Guitar
Nathan Heintz…Keys. http://www.myspace.com/kampcamille#ixzz0v7t4ps4J

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Thanks and Grattitude

Dear Supporters,

Thank you for your important contribution of time and energy! The Songbird Festival would like to thank all of you for the seen and unseen support and time you have provided to the Summer Session of the 2010 Songbird Festival 3rd ries. Big thank you and gratitude to the patrons, venues, musicians, graphic and technology volunteers, visual performance artists, co-presenters, emcees, promoters, stage managers and humble swans “you know who you are”.

Activities such as this really make a difference in making diverse programming from emerging to virtuoso performance and visual art accessible and affordable.

The first year of planning started in 2008 and each year as the founder of this festival I gain so much positive insight, knowledge and new life skills from working with such a diverse group of individuals who may be strangers, acquaintances, new friends, old friends, creative counterparts or simply folks just sharing in participating in the programming.

Once again, thank you for your time. The Songbird Festival will continue to support efforts across the bay area to make music, visual and performance art accessible for participants and patrons.

The 5 week series ends 8/22.

Throughout fourth quarter of this year a “new layer of skin” will be added to keep the birds humming that will involve a virtual community space where co-presenters and performers can keep the spirit of pushing the enveope and creating a space for performers of various levels to dialogue and recommend performance and visual art venues, performers and events.

The Fourth round of series will begin in November 2010 that will include a four month co-presented event in the Mission and a few co-presenter series throughout 2011 leading up to the fifth round of the Songbird Festival Present series to be held next November.

Hope to see you at the closing party on 8/22 at Amnesia. For more info check out www.songbirdfestival.org you can also get information about all of the amazing performers and what they are up to next by checking out the urls listed on the festival website see week by week for their specific contact info.

If you have photos, mp3s, jpegs of flyers or any form of visual documentation please share it so that it can be used to obtain funding in the near future for this non-profit project.

Sincerely,

Songbird Festival Founder

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Con Brio

Con Brio

Sunday – August 22, 2010


Songbird Festival Presents | Early Show
Americana, Roots, Jazz and Blues Songbirds
Venue:

Amnesia

853 Valencia Street

San Francisco, CA 94110

6-9 Early Show $8-10 Cover

Hanna Rifkin

Emily Anne’s Delights

The Crow Quill Night Owls

Sunday – August 22, 2010

Songbird Festival Presents | Late Show
Guitar Haydey, Funk, Soul, Rock, Rock, Rock
Venue:

Amnesia

853 Valencia Street

San Francisco, CA 94110

9:30 -Close – $8-10 Cover

Hazy Loper

Con Brio

Shakewell

9-Close – $8-10 Cover

Born in San Francisco, Con Brio’s songs feature powerful, soulful vocals backed by a no-nonsense, deep-pocket rhythm section.

“Xandra Corpora’s vocals are stunning….The band, tight as a bungee cord, is a funky, acoustic, jazz/blues casserole. That’s right-casserole. What’s more, they kill it live.”
-Bricks and Mortar Media

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Shakewell featuring Robin Croomer and Eric McFadden

Sass n more Sass!

Sunday – August 22, 2010


Songbird Festival Presents | Early Show
Americana, Roots, Jazz and Blues Songbirds
Venue:

Amnesia

853 Valencia Street

San Francisco, CA 94110

6-9 Early Show $8-10 Cover

Hanna Rifkin

Emily Anne’s Delights

The Crow Quill Night Owls

Sunday – August 22, 2010

Songbird Festival Presents | Late Show
Guitar Haydey, Funk, Soul, Rock, Rock, Rock
Venue:

Amnesia

853 Valencia Street

San Francisco, CA 94110

9:30 -Close – $8-10 Cover

Hazy Loper

Con Brio

Shakewell

9-Close – $8-10 Cover

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The Crow Quill Night Owls embrace old weird America

Sunday – August 22, 2010


Songbird Festival Presents | Early Show
Americana, Roots, Jazz and Blues Songbirds
Venue:

Amnesia

853 Valencia Street

San Francisco, CA 94110

6-9 Early Show $8-10 Cover

Hanna Rifkin

Emily Anne’s Delights

The Crow Quill Night Owls

Sunday – August 22, 2010

Songbird Festival Presents | Late Show
Guitar Haydey, Funk, Soul, Rock, Rock, Rock
Venue:

Amnesia

853 Valencia Street

San Francisco, CA 94110

9:30 -Close – $8-10 Cover

Hazy Loper

Con Brio

Shakewell

9-Close – $8-10 Cover

In The Press – at Straight.com
“Kit “Stymee” Stovepipe fell in love with early-20th-century American jug-band music after dabbling in Swedish metal and crusty punk. And who among us hasn’t done that?
“It was ’99 or 2000,” the guitarist recalls, from his home in Port Townsend, Washington, “and I saw a busker, an older guy playing an old, beat-up National steel guitar, doing all these old obscure songs. Some went back to the 1890s, and there were a lot from the ’20s and ’30s, and he was doing music from old cartoons. And I was like, ‘Who is this guy? He’s amazing.’ ”
The guy was Seattle’s Baby Gramps, a long-bearded outsider legend who’s been carrying the torch for pre-electric Americana for almost 50 years. For Stovepipe, a brand-new obsession was born, and he makes the leap from Carnal Forge and Aus-Rotten to Charley Patton and washboards sound almost rational.
“The thing was,” he relates, “when I saw this guy, I went, ‘Oh, my God, what he’s doing is insanely technical.’ That’s what I liked in all those metal bands. I liked all the technical stuff. And I liked how raw and aggressive it was. It was like the same thing, but Baby Gramps was ancient and doing it. And I thought, ‘Oh, it’s sustainable.’ It’s a different style, but it’s the same thing.”
The dusty ephemera of old weird America has sustained Stovepipe and his life and musical partner, Caliope Kane, for some three years now, since the two hooked up to form the Crow Quill Night Owls. Stovepipe handles the National steel guitar and Kane pilots the tenor banjo, and the duo will be joined by washtub bassist Devin Champlin and Lucas Hicks on a suitcase contraption kit when the Night Owls shuffle like some real-life Max Fleischer cartoon up to Vancouver for this year’s Under the Volcano Festival of Art and Social Change.
They might not be sitting in the most crowded field with their brand of music, but the Owls swing hard enough that no less than Maria Muldaur tapped Stovepipe, Champlin, and Hicks when she was putting together her Garden of Joy Jug Band for a two-month tour in 2009. Moreover, the outfit’s 2008 album, Mechanical Unicorn, is a great primer for newbies, with sterling covers of obscurities like Arnold and Irene Wiley’s “This Sweet Reedie Brown” (1931), and slightly more familiar material in the shape of the Mississippi Sheiks’ “Jake Leg Blues”.
But as enchanting as Mechanical Unicorn is, it bothers Stovepipe that his country’s musical history still occupies the margins for most of his compatriots. “There’s a small and dedicated group that are way into it, and maybe it’ll gain more recognition one day,” he says, “but most Americans aren’t aware of the rich musical and cultural heritage, and it’s very sad. ’Cause this stuff rocks.” ……..” from straight.com

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Hanna Rifkin

Sunday – August 22, 2010


Songbird Festival Presents | Early Show
Americana, Roots, Jazz and Blues Songbirds
Venue:

Amnesia

853 Valencia Street

San Francisco, CA 94110

6-9 Early Show $8-10 Cover

Hanna Rifkin

Emily Anne’s Delights

The Crow Quill Night Owls

Sunday – August 22, 2010

Songbird Festival Presents | Late Show
Guitar Haydey, Funk, Soul, Rock, Rock, Rock
Venue:

Amnesia

853 Valencia Street

San Francisco, CA 94110

9:30 -Close – $8-10 Cover

Hazy Loper

Con Brio

Shakewell

9-Close – $8-10 Cover

Hanna Rifkin began her singing career fronting the rock band “Roxy.” While belting out guttural tones in the fashion of Janis Joplin and Debbie Harry was fun, she fell in love with the playful trumpeting of Louis Armstrong that underscored the horn like purity of Ella’s Fitzgerald’s voice on their recording of “They Can’t Take That Away from me”. Hanna immediately recognized in Jazz a greater opportunity to grow as an artist. “When I sang rock I felt like I was trying to replicate, but with jazz I got to give it my own spin.”
She later spent a year in Italy where through a strange turn of event, met and formed a strong musical bond with renowned guitarist Francesco Lesi. After earning her degree in Italian, she sang her way across Europe crooning old standbys like “Lover Man” and “la Vie en Rose” from the street corners and cafes of Paris, Budapest, Rome and Barcelona. She also speaks Spanish and a bit of French. Back in the states, Hanna moved to Santa Cruz where she studied jazz improvisation, theory, and piano under the direction of trumpeter Ray Brown.
In San Francisco, she’s played with Chris Siebert, Allen Smith, Sameer Gupta, Mitch Marcus, Howard Wiley, BJ Papa, Michael Coleman and many other cats in the San Francisco scene. “I truly adore picking up a song that I’ve done so many times, and loved singing, then the player I’m with wants to do it in a different way, and it completely changes my perspective on the song. This often happen spontaneously during a performance, and it’s so satisfying. I feel as if I’m giving the song respect and that is part of the beauty of jazz.” She also has a debut CD titled “Apples and Oranges” available through this website.
Hanna Rifkin serves up a jazz cocktail that mixes the wit of Bette Midler, the confidence of Anita O’Day, and the melancholy of Billie Holiday with the smooth as butter tones of Chet Baker. My own personal testament is that I met my husband at one of Hanna’s shows. Coincidentally, neither one of us would have gone out that fateful night except to see Hanna sing. We met, we danced and before I knew it, Hanna was singing “Nature Boy” at my wedding. I really think you could attribute my current happiness to Hanna’s voice or you could argue that may be going a little too far, but whoever says music can’t change a person’s life just never heard Hanna sing.

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Emily Anne’s Delights

Sunday – August 22, 2010


Songbird Festival Presents | Early Show
Americana, Roots, Jazz and Blues Songbirds
 
Venue:

Amnesia

853 Valencia Street

San Francisco, CA 94110

6-9 Early Show $8-10 Cover

Hanna Rifkin

Emily Anne’s Delights

The Crow Quill Night Owls

Sunday – August 22, 2010

Songbird Festival Presents | Late Show
Guitar Haydey, Funk, Soul, Rock, Rock, Rock
 
 
 Venue:

Amnesia

853 Valencia Street

San Francisco, CA 94110

9:30 -Close – $8-10 Cover

Hazy Loper

Con Brio

Shakewell

9-Close – $8-10 Cover

Emily Anne’s Delights

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Working Man Music and Songbird Festival Show at The Blue Macaw

“Art Rock-East Euro-Polka-Surf Throwdown”

“Grass Roots”, Bay Area-based art and concert promoters The 2010 Songbird Festival holds true to is promise of presenting diverse, eclectic, and expressive live performances by assembling a rarely seen “Hydra-like” rocking monster of Mid East Psychedelia, Punk Surf, and Hardcore Polka.

POLKACIDE: SF’s only Hardcore Polka band, celebrating 25 years of non-traditional traditional sweat and beer soaked revelry. 

“It’s like a disease…no, it’s like an apocalypse…no, it’s like your worst nightmare of a Midwestern family reunion! It’s Polkacide.”-Music Calendar, SF Chronicle

KHI DARAG: Inspired by Persian classical, late 60′s acid garage psychedelia and surf mayhem, traditional Armenian and Jewish dances, Cambodian street music, Gothic art rock, and Bollywood soundtracks, SF Bay Area based ensemble Khi Darag walks a thin line between the modern and archaic.

“…this is exactly the kind of band Mike Patton or John Zorn would want playing at their wedding with a dancefloor of weirdos having the time of their life. So fun!- Aquarius Records, San Francisco

SPACE BLASTER: Made up from some of the most frighteningly talented members of the Bay Area avant garde Jazz and experimental rock scene, this black caped quartet serves up a set of unrelenting post-punk surf rock best described as Dick Dale colliding head on with Ennio Morricone in a tragic collision involving two semis trapped in an atomic particle accelerator!

Loop!Station

SF-based cello and vocal duo LOOP!STATION has been captivating audiences since 2002 with their deftly stacked and carefully interlocking live sampled phrases that create a truly unique and haunting soundscape “….Think the Cocteau Twins with PJ Harvey at the controls.  Think hallucinatory aural investigations.  Think great mea-out music…” – SF Weekly

Workingman Music and Songbird Festival Presents

Venue:
Blue Macaw
2565 Mission Street
San Francisco, CA 94110-2511

Show at 8 p.m. $8-12 Cover

LOOP!STATION
Polkacide

Khi Darag

Spaceblasters

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Week Five at a Glance – Shows 8/15 – 8/22

Mother of Pearl! It’s week five!

Hope to see you at one of the shows and especially the show with Loop!Station, Khi Darag, Spaceblaster and Polkacide

 

Sunday – August 15, 2010

SeaweedSway Showcase and Songbird Festival Present
the SeaweedSway Showcase!

with music from

Enamored ~Harrison & Paulie Ann (SF)  

Magic Leaves (Marin)

Black Bear and Casual Fog (Nevada City)

Doors 7:00pm, Show at 8pm sharp, $7 cover at the door

Venue:

The Make Out Room

3225 22nd St.

San Francisco, CA

Monday – August 16, 2010

Kate Gibson and Songbird Festival Presents
Performance Installation, Indie, Soul and Jazz
 
 

 

 

Venue:

Twin Space
2111 Mission Street @17th, Suite #300

Show at 7 p.m., $8 – $12

Kate Gibson

Eliza Rickman

Pocket Full of Rye

Afi Ayanna and The Forevermores

Thursday – August 19, 2010

Songbird Festival Presents Claudio Santome and Marcello Puig at the Red Poppy House
Popular Songs from Argentina
 
 

 

 

Venue:

Red Poppy Art House

2698 Folsom Street

San Francisco, CA 94110

Show at 8 p.m., $12-15

Purchase tickets here

Marcelo Puig

Friday – August 20, 2010

Workingman Music and Songbird Festival Presents

Venue:
Blue Macaw
2565 Mission Street
San Francisco, CA 94110-2511

Show at 8 p.m. $8-12 Cover

LOOP!STATION
Polkacide

Khi Darag

Spaceblasters

Sunday – August 22, 2010


Songbird Festival Presents | Early Show
Americana, Roots, Jazz and Blues Songbirds
 
 

 

 

Venue:

Amnesia

853 Valencia Street

San Francisco, CA 94110

6-9 Early Show $8-10 Cover

Hanna Rifkin

Emily Anne’s Delights

The Crow Quill Night Owls

Sunday – August 22, 2010

Songbird Festival Presents | Late Show
 
 

 

 

 

 

 
 
 

 

Guitar Haydey, Funk, Soul, Rock, Rock, Rock
 
 

Venue:

Amnesia

853 Valencia Street

San Francisco, CA 94110

9:30 -Close – $8-10 Cover

Hazy Loper

Con Brio

Shakewell

9-Close – $8-10 Cover

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Argentine music from the 19th and 20th centuries

Thursday – August 19, 2010

Songbird Festival Presents Claudio Santome and Marcello Puig at the Red Poppy House
Popular Songs from Argentina

Venue:

Red Poppy Art House

2698 Folsom Street

San Francisco, CA 94110

Show at 8 p.m., $12-15
Purchase tickets here

Claudio Santomé (vocals) and Marcelo Puig (vocals and guitar) take over the Red Poppy with a variety of popular Argentine music from the 19th- and 20th-centuries—including milongas, folk, pop, tango and more.

Claudio Santomé has more than ten years experience singing the classical repertoire, from Bach to Verdi to contemporary composers such as Alberto Ginastera and Michael Tippet. Claudio has performed in venues such as Theater Colon (Buenos Aires), Jesuitkirche (Luzerne, Switzerland), Hertz Hall (Berkeley), and the Palace of Fine Arts (San Francisco).

“Claudio Santomé sang superbly.”
—Michael Zwiebach, SanFranciscoClassicalVoice.com

www.claudiosantome.com

Marcelo Puig was born and raised in Buenos Aires, Argentina. He began studying classical guitar at age eleven. Marcelo has performed and recorded with rock bands and numerous international artists. He draws his guitar style from a wide range of popular musical influences, including jazz, tango, Latin American folklore and Brazilian rock.

www.tengotango.com
www.youtube.com/watch?v=_o82pnDTi3w

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