{"id":397,"date":"2011-05-24T18:24:35","date_gmt":"2011-05-24T18:24:35","guid":{"rendered":"http:\/\/www.songbirdfestival.org\/wp\/?p=397"},"modified":"2011-05-24T18:29:22","modified_gmt":"2011-05-24T18:29:22","slug":"artist-feature-dustin-ohalloran","status":"publish","type":"post","link":"http:\/\/www.songbirdfestival.org\/wp\/?p=397","title":{"rendered":"Artist Feature – DUSTIN O’HALLORAN"},"content":{"rendered":"

\"\"<\/a><\/p>\n

A self-taught pianist from the age of 7, Dustin O\u00e2\u20ac\u2122Halloran\u00e2\u20ac\u2122s personal histories give us some clue to the thickly-woven tapestries of his music: he has lived in LA (where he studied art at Santa Monica College and formed the much-adored Devics with Sara Lov), Italy (in the depths of rural Emilia Romagna) and Berlin. His arresting, heartbreaking music is as much an elegant exercise in nuance and grace as it is a pure, intuitive, personal expression \u00e2\u20ac\u201c and here is where we see some explanation into Dustin\u00e2\u20ac\u2122s quiet rise to notoriety and his continued ascension.<\/p>\n

Having gained serious recognition with his stunning score to Sofia Coppola\u00e2\u20ac\u2122s 2006 film Marie Antoinette (which sits neatly alongside his soundtrack work for William Olsen\u00e2\u20ac\u2122s An American Affair (2010) and Drake Doremus\u00e2\u20ac\u2122 Sundance-winning Like Crazy (2011),<\/p>\n

Dustin has quickly become one of the most recogniseable names in the broad-reaching \u00e2\u20ac\u0153post-classical\u00e2\u20ac\u009d field, a definition of the genre rather than vice-versa. Now sitting alongside peers and friends Max Richter, Hauschka and Johann Johannsson (who, incidentally, aided Dustin in mixing his newest album) on FatCat\u00e2\u20ac\u2122s dedicated orchestral imprint 130701, new album Lumiere is a glowing addition to O\u00e2\u20ac\u2122Halloran\u00e2\u20ac\u2122s musical canon, at once an amalgamation of everything that his music has been leading up to, and an unprecedented step forwards in terms of timbral palette and harmony. Featuring NYC\u00e2\u20ac\u2122s ACME Quartet, Stars Of The Lid\u00e2\u20ac\u2122s Adam Wiltzie and prodigious young composer Peter Broderick among the guest musicians, the scale of Lumiere is expansive: \u00e2\u20ac\u0153it made me realize how important it is to find players that truly understand what you do and to create a language with them,\u00e2\u20ac\u009d writes Dustin.<\/p>\n

Dustin\u00e2\u20ac\u2122s rock background \u00e2\u20ac\u201c primarily with Bella Union\u00e2\u20ac\u2122s \u00e2\u20ac\u0153dream-pop\u00e2\u20ac\u009d outfit Devics \u00e2\u20ac\u201c has yielded an unassuming, perceptive approach to composing modern classical pieces. Inspired by, among others, Arvo Part,\u00c2\u00a0 Philip Glass, Hans Otte, John Luther Adams, Olivier Messiaen, Ennio Morricone, Gavin Bryars, there is no lack of articulation or academic musicality in Dustin\u00e2\u20ac\u2122s work, but there is also none of the aloofness or detachment that is so readily perceived around contemporary classical music. This can perhaps be attributed to the environments in which Dustin has worked \u00e2\u20ac\u201c Lumiere is full of those rare elements of life shared by both vibrant cities and lush countrysides: colour, both organic and rich, sensorial intrigue and a deep awareness of space. Or perhaps it is a product of Dustin\u00e2\u20ac\u2122s synaesthesia, a condition he first noticed around the time of his performance at New York\u00e2\u20ac\u2122s Guggenheim Museum for their Kandisnky retrospective and 50th anniversary gala. Able to visualize his compositions as vividly as a painter might see his own work, Dustin\u00e2\u20ac\u2122s expressiveness is beyond compare.<\/p>\n

Lumiere will be Dustin\u00e2\u20ac\u2122s third solo full-length, following Bella Union albums released in 2004 and 2006 respectively (Piano Solos vol. 1 and Piano Solos vol. 2). These two records were originally opportunity for Dustin to express a non-Devics creative streak: gently and privately pieced together piano suites written and recorded on a beautifully-restored 1920\u00e2\u20ac\u2122s Sabel piano in his Italian farmhouse. The compositions, however, gradually grew into fully-formed solo pieces as Dustin\u00e2\u20ac\u2122s ambitions and designs developed. The path, of course, would eventually lead him to Lumiere\u00e2\u20ac\u2122s majestic, swooning ensemble arrangements and a focus-shift away from the piano as his work\u00e2\u20ac\u2122s primary timbre without losing any of the affection for the instrument that bore his first two records.<\/p>\n

A sublime solo live album \u00e2\u20ac\u201c entitled Vorleben \u00e2\u20ac\u201c will be released by FatCat \/ 130701 in June.<\/p>\n

Monday, May 30, 2011<\/p>\n

SeaweedSway & the Songbird Festival Present:<\/p>\n

DUSTIN O’HALLORAN + MAGIK*MAGIK STRING QUARTET
\n…Conspiracy of Venus<\/p>\n

8 pm<\/p>\n

Rickshawstop<\/p>\n

155 Fell Street
\nSan Francisco, CA 94102
\n(415) 861-2011<\/p>\n

$15
\nBuy Advance Tickets Here<\/a><\/p>\n